4 reasons for finding a freelance designer before you need one

March 8th, 2010

I’ve lost track of the number of times I’ve had a panicked call from a potential new client, not able to get things done with his regular designer, asking if I can design a magalog or some other marketing piece within some unrealistic time frame.

My answer is almost always no.

First, my schedule is usually too busy to accept last minute “need it yesterday” jobs from new clients. Second, I like to get a feel for the company by looking at past marketing material and having a conversation about aspects of their project. That’s difficult, if not impossible, to do under those “last minute” circumstances.

Because I do feel bad for people in that position, I’ve always supported the idea of talking to people you might need before you need them.

For example, I’ve contacted print brokers to talk about potential future projects that I might refer their way even though I didn’t have a specific project in mind at that moment.

I’m calling ahead for a few reasons:

1. I want to know if they’re going to be a good fit for me both professional and personally. If not, I don’t really want to be working with them and they probably don’t want to be working with me.

2. I want to know the extent of the services they offer. Trying to gather this information at the last minute just creates more stress in my life, the broker’s, and the client’s.

3. I want to know their preferred process for getting projects done. To ensure a smooth project for all parties involved, I have to be sure that my work process can mesh with theirs.

4. I want to be on their radar as someone they know. The reality is that things can happen faster and go smoother with people you already know, even if it’s just from a prior phone conversation or some e-mails.

If you look at that list of how I look for print brokers, it’s exactly the same thing you should be doing looking for a freelance designer or even a copywriter.

Already have a freelance designer you’re happy with? Great… follow those three steps to find other designers anyway.

Here’s the deal: “Stuff” happens.

Sometimes your freelancer will be busy. Sometimes you’ll want nothing more to do with him. Sometimes she’ll want nothing more to do with you. Sometimes you’ll want something outside your regular designer’s skill-set.

Finding a new freelancer to replace your old one is not something you want to be doing as a project deadline is getting close to slamming you against the wall.

I have yet to meet a professional freelancer who is offended by a potential client calling and honestly saying, “I don’t need your services now. But I do want to have some names in my rolodex of people I think I could work with if a need comes up down the road. So, I’d like us to get to know one another and see if there’s a potential working relationship.”

If they’re offended by that and feel you’re just wasting their time, congratulations! You found out something important about them before you’re in a crunch. Scratch them off your list and move on to the next name.

The sad thing is, very few business people reading this who use freelancers will bother to take my advice.

After all, they’re busy… or they’re totally happy with how things are going now and can’t imagine it will ever change.

Fair enough. But experience has shown me that things outside of our control can put us in frantic situations that can have real financial consequences for our business. That’s not the time you want to be finding a new member to add to your team.

17 ideas for creating successful order forms

March 1st, 2010

During my writing days, I subscribed to lots of great newsletters, a few of which I still subscribe to even though I’m a direct market designer now.

One of those newsletters is The Success Margin by Ted Nicholas.

Some time ago on another blog I run, I asked Ted’s permission to reprint an article dealing with order forms. It’s such great information for businesses to be aware of, I now want to bring Ted’s ideas to readers of this blog.

So let me hand things over to Ted…

———-

The primary goal of any offer online or offline is, of course, to get an order.

Therefore, the order form should be the very strongest element of any customer offer.

That’s why it’s always seemed so amazing to me that the worst examples of direct marketing are, in my opinion, order forms.

Order forms generally are dull, boring, ugly and unpersuasive.

Today I’m actually going to show you, dear reader, an alternative–how to make yours exciting, beautiful and compelling. And even better still–far more responsive!

** First Step **

Prepare order form first!

Sequence of when you prepare the different elements of your offer, especially the order form, is very important. Reasons?

1. Keeps offer fresh and exciting. You have not yet run out of emotional gas. If you prepare the sales letter first, as do most, you may have little passion and enthusiasm for the all-important order form afterwards. You can’t hide your feelings. They will show.

2. Clarity. You will be almost forced into a rare but oh so desirable result for marketers. Instead of confusing the customer, present a clear offer.

Tip: As you create, what I recommend and use myself is this frame of mind. Assume your prospect will read your order form first and not read the sales letter at all. Therefore, your order form must be capable of doing the complete sales job by itself.

3. Never use the words “order” or “form” as does nearly everyone else. These words are negative and reduce orders. “Order” suggests spending money, which absolutely no one wants to do.
“Form” is something no one wants to fill out.
Do you?

Tip: Always use a positive headline for the order form. A few successful ones I use are:

– Free Trial Request
– Free Examination Certificate
– Savings Certificate
– Membership Application
– Privilege Invitation
– Send No Money–Offer Expires in 7 Days
– Free Audition Certificate
– Free Preview Issue
– Official Entry and Enrollment Certificate
– Request for Free Information

Tip: Start off the copy with the word “Yes”!
It’s the most underused but powerful word in all languages.

4. Restate the main benefit of the product. Often it’s effective to include two to three benefits of the product. Always restate the benefits, not in your voice, but in the voice of the person responding.

Tip: Include a statement of acceptance of the offer, including the guarantee, in the voice of the buyer.

5. Restate the features of the product. A full description including the colors, dimensions, weight and material used in making the product are important in helping build credibility.

6. Include a professional photo of the product, ideally in full color.

7. Include a photo of a person–perhaps yourself, the inventor or celebrity–that, of course, fits the offer. This individual should have a warm smile, wear appropriate business attire and be making eye contact with the reader.

8. Dramatize any gifts or free bonuses you may include within the offer. Photos, strong titles and descriptions really improve response.

9. Restate a powerful money-back guarantee.
The longer and more prominent, the better. For example, 30 days will pull better than 10 days; 60 days pull better than 30; 90 better than 60; 180 days better than 90. One year pulls better than 180 days. A lifetime guarantee is the most powerful of any time period. Always include the signature and title of the most senior person at the company at the end of the guarantee.

10. Make it stand out, not blend in! Use a different paper and ink colors for the order form than the rest of the mailing or e-mail offer.

11. Use a fancy border resembling a stock certificate, which adds the feeling of perceived value of the offer.

12. Print on one side only for an offline offer. Leave the back blank. All my tests show the response is higher.

13. For offline offers, add the words “Please Print”.

14. Add a second order form offline. I’ve never seen an instance wherein sales didn’t increase by at least 10% to 20% due to pass-along readership.

Tip: No matter how high a response you get online, your offline response percentage is usually about 400% more. Clearly, many people respond at a higher rate because they retain offers received in the mail for a longer period.

15. Multiple order options. Since buyers of course vary in their favorite order methods, include toll free phone, fax, e-mail and mail.

Tip: Don’t forget to include all your company’s contact information. You’d be surprised how often even the largest marketers make this basic error.

16. Test a variety of font color options for headlines and subheadlines (red, blue, purple, etc.), but keep the main body of the copy in black. Black on white is easier to read than any other combination except black on yellow.

17. Include a deadline. Build a sense of urgency to build response. Print a specific date when the offer and price expire. Or print the words “Please respond within 10 days.”

Be diligent in preparing your order form using these little-known secrets.

Instead of “ugly duckling” order forms, the result will be a beautiful response mechanism with a far higher response level.

As always, here is to your increased success margin.

Your correspondent,

Ted Nicholas

———-

There’s really not much more to be said. As a designer, know it’s vital that the order form is designed properly. And my copywriting colleagues know how important it is to get things right as well.

As someone involved in the marketing of your business, I hope Ted’s ideas give you great new tools and ideas for your order forms… uh… savings certificates. ;)

Ted’s newsletter is free and worth subscribing to. You can sign-up at The Success Margin.

What marketers might learn from Tiger Woods’ apology

February 20th, 2010

For the record, I don’t think Tiger Woods owes anyone an apology for his actions beyond his family, sponsors, or others directly affected by his actions.

And I’m not the type who gives a you-know-what about a celebrity’s personal life because, in general, I have little interest in celebrities.

But it was hard to escape news coverage of Tiger’s public apology.

From the “post-apology analysis” I couldn’t escape, Tiger seemed to get good marks for being honest and taking responsibility.

But I was more drawn to his delivery, not so much the content. Part of that comes from a 14 year background in the media… radio, to be specific.

If I had no other skill in radio broadcasting, I could at least claim to be conversational on the air. That’s a vital trait for anyone in radio where there are no visuals to supplement the message. It’s all in your delivery which affects whether people want to listen to you or change the channel.

So when I look at Tiger’s apology in terms of delivery, I thought it was lacking. To be fair, admitting you messed up big-time on national television – with the added pressure of your mom sitting in the front row – isn’t going to bring out the best in anyone.

However, I couldn’t help but think how much more sincere it would have come across – and, thus, had more impact – if he had simply jotted down a bunch of bullet points (I messed up, it was all my fault, I’m sorry, leave my family alone) and let his unfiltered feelings fill in the blanks.

In radio, we called that speaking from the heart versus speaking from the script. There’s a difference, and people can feel it.

As it turns out, his apology sounded the way it was probably created: very scripted, with input by any number of handlers, and no words left to chance.

This might be a stretch, but I think Tiger’s delivery can be a bit of teachable moment for marketers, especially those using long-form copy.

Do your promotions come across as stiff and written by committee? Or do they feel like a one-on-one conversation between you and the reader?

Recently, someone on Twitter mentioned the importance of using page 2 of a catalog for a personal letter. The same applies for a magalog. The letter may come from the company president or someone else in authority.

That letter can set the whole tone for the promotion. And when done properly, it can also provide insight into the company, helping the buyer to feel a deeper connection with the company and the product/service they sell.

It’s your chance to go “off script” and become a person the reader can really relate to. I might even go so far as to say it makes you and the message that follows more believable, or at least more worthy of being given a chance to make your case.

Yet it seems like some companies either don’t bother with a personal letter at all, or give it little effort compared to the main copy. That’s a mistake.

That letter is your chance to “speak from your heart” and let your prospects understand your passion and reason behind it.

Sure, that can also be done in the main copy. But many times that copy becomes a mixture of input from different people, the things you feel you have to include, and all the other ingredients that go into a successful message. And that’s assuming the reader invests the time in the main portion of your message.

Unfortunately, the personal element in the main copy sometimes gets sacrificed for the other “must haves” in the copy.

The “hello” letter, meanwhile, can be more personal. Usually only one page in length, it’s a quick and easy read.

It gives you a chance to let people know why they should even bother to start reading page 3 and keep going until the end. You’re sharing your passion without the sales techniques that are most likely going to be a part of your main copy.

It’s the feeling of someone sitting down across from you and saying, “In a moment, I’m going to share some exciting news. But first, let me tell you how I got to this point where I believe, with all my heart, that I can make a real difference in your life.”

A little over-the-top? Not really.

It’s what happens when you throw away the structure of a script to share your unfiltered passion for what you do.

Otherwise, your audience can get distracted if your message comes off as too scripted or too fake. It can happen in print just as easily as it can when someone is apologizing to the public.

People can sense when your message is real and has authenticity. That’s the value of a “Page 2″ letter. If you succeed there, the reader is more willing to give you a chance to tell your full story.